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[alternative folk, experimental] (2018) Current 93 - The Light Is Leaving Us All [FLAC,Tracks] {100.XY}

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Description

(2018) Current 93 - The Light Is Leaving Us All


Review:
For disciples of Current 93, David Tibet has always had the air of a
prophet. The eccentric singer-songwriter and permanent leader of this revolving band seems a kind of sage or guru, a
grey-bearded mystic of deep, arcane wisdom. His industrial noise and mournful neo-folk teems with hymns, incantations,
and transcribed dreams. These qualities are the hallmarks of what is by now a familiar and well-defined sound. They are
what draw people to Tibet’s music, and what brings him perilously close to self-parody. How seriously can you
take songs in earnest about witches and magic and apocalyptic auguries? 
Tibet has said of his albums that they
often begin “with a conceptual idea, which is often just a phrase.” One can assume The Light Is Leaving Us
All started with its title. This evocative construction presides over the record as a constant, portentous refrain: It
is exclaimed and whispered and enchanted over and over across the album’s 46 minutes, blazoned to the listener as
if from a preacher behind the pulpit, or a doomsayer on the soapbox. As on many Current 93 albums—on the 2006
masterpiece Black Ships Ate the Sky most particularly—Tibet is both in command of the words and in thrall to
them. Hypnotized. He exhausts their power through extreme repetition.
Pet obsessions abound: a thousand witches,
flaming “horsies” as Tibet calls his equine friends, red barns, wolves, stars, the sea, the moon. Birds
sweetly singing—sometimes literally, as chirps join the usual piano and acoustic guitar backing instrumentation.
Absent the coterie of famed guest vocalists that has lately diversified Current 93 albums, we are left with Tibet alone
among his enthusiasms and passions. He acknowledges early on the resulting sensation of seclusion and almost manic
single-mindedness: “Call the surgeon/The surgeon is dead/Call the policeman/The policeman is dead.”
There’s nobody around. It’s just Tibet and his fixiations.
Such fanatical purpose makes The Light Is
Leaving Us All an arduous listen. When “A Thousand Witches” ends and “Your Future Cartoon”
begins with the words “one thousand witches,” it is hard to elude the feeling of captivity, as though Tibet
has us trapped in the bleak realm of his dark imagination. One escape hatch is humor. I found myself, as Tibet rounded
into an account of “the messiah-seeking donkey,” laughing at the absurdity, perhaps because finding this
stuff ridiculous provides relief from the gloom. And yet it is only when one accepts Tibet on his terms—when one
takes his somber omens seriously—that one can access its rewards. Because while The Light Is Leaving Us All is
quite silly, it is also beautiful. Tibet’s visions are wonderful even as one must suppress skepticism to fully
share them.
Images as distinct as those Tibet is uniquely capable of expressing would not exist if they were
insulted by ironic distance. He has to embody the mystic and the guru to do it. “In the first book, and in the
last book, and in all the books in between, and between the books and the words, there is something at war with
nothing,” Tibet intones in “30 Red Houses.” “There is someone at war with no one, and everything
at war with you.” This is a stunningly realized description of art and creation, wedged in between repeated lines
about bird songs and dead horsies and yet more witches. It’s all part of the swirling riot of Tibet’s
strange decrees. Nightmares rage on with insane nightmare logic; he reads “in the tea leaves” and scans
“in the stars,” as “Bright Dead Star” tells. Through it all, we must choose sincerity. The light
has to leave us all.





Tracklist:
01-the birds are sweetly singing.flac
02-the policeman is
dead.flac
03-bright dead star.flac
04-30 red houses.flac
05-a thousand witches.flac
06-your future
cartoon.flac
07-the_postman is singing.flac
08-the bench and the fetch.flac
09-the kettles on.flac
10-fair weather.flac
11-the milkmaid sings.flac

Summary:
Country: UK
Genre: alternative folk, experimental


Media
Report:
Source                           : CD
Format                           : FLAC
Format/Info 
                    : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode                    : Variable
Bit
rate                         : ~ 591-879 Kbps
Channel(s)                       : 2 channels
Sampling rate     
              : 44.1 KHz
Bit depth                        : 16 bits

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